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Frankenstein Art Novel™

Frankenstein Art Novel

“Creations” Art Cover

By
By
MARY SHELLEY
$225.00
Installment payments available through SHOP PAY
ADD TO CART
Out of stock
Includes a Certificate of Authenticity

For those unafraid to embrace darkness, the lovers of Gothic and Romantic literature, we bring you Mary Shelley's haunting masterpiece as you have never seen it before. Adorned with intricate paper sculpture The Meeting in the Mountains from South African Artist, Barbara Wildenboer, this Art Novel expands upon the original text with annotations for both the modern reader and the classic intellectual. A curated fine art collection adorns the pages with over 60 large scale images of contemporary fine artworks created for this publication.

In 1818, Frankenstein broke ground by creating space for its readers to interrogate the morals of the day’s emerging sciences. We participate in that tradition by providing a contemporary examination of humankind’s quest for knowledge, the role of women in this strange new world, and the hope and rage of society’s most ostracized. As a result, the Frankenstein Art Novel introduces readers to Mary Shelley’s haunting tale of life and death with an emphasis on nature and feminine power.

Details: 

  • W 10 in x L 13 in
  • 368 pages Hardcover with foil embossing and soft-touch dust jacket
  • Hand-sewn pages 
  • Created by independent book design team
  • Custom end leaves design by artist Abby Olsen
Description
DETAILS
Label
Product Metafield Value
Artwork
So Many Flowers
Dreaming of Green
Garden in Bloom
It Starts with One Single Seed
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Finishing
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Also available as
art print.

A World of its Own

Bond & Grace Art Novels are intentionally designed to provide an immersive reading experience, with innovative and visually stunning elements that enhance the unique atmosphere of the title novel. From Victor Frankenstein’s letters which appear on textured paper in handwritten font, to acid green spores that signal chaos and madness, this Art Novel serves as a portal into the awe-inspiring world of Frankenstein.

Designed to Delight

Shop the Collection

No items found.

Frankenstein Art Novel™

By
By
MARY SHELLEY
$225.00
Installment payments available through SHOP PAY
Includes a Certificate of Authenticity
ADD TO CART
Out of stock

For those unafraid to embrace darkness, the lovers of Gothic and Romantic literature, we bring you Mary Shelley's haunting masterpiece as you have never seen it before. Adorned with intricate paper sculpture The Meeting in the Mountains from South African Artist, Barbara Wildenboer, this Art Novel expands upon the original text with annotations for both the modern reader and the classic intellectual. A curated fine art collection adorns the pages with over 60 large scale images of contemporary fine artworks created for this publication.

In 1818, Frankenstein broke ground by creating space for its readers to interrogate the morals of the day’s emerging sciences. We participate in that tradition by providing a contemporary examination of humankind’s quest for knowledge, the role of women in this strange new world, and the hope and rage of society’s most ostracized. As a result, the Frankenstein Art Novel introduces readers to Mary Shelley’s haunting tale of life and death with an emphasis on nature and feminine power.

Details: 

  • W 10 in x L 13 in
  • 368 pages Hardcover with foil embossing and soft-touch dust jacket
  • Hand-sewn pages 
  • Created by independent book design team
  • Custom end leaves design by artist Abby Olsen
Label
Product Metafield Value
Artwork
So Many Flowers
Dreaming of Green
Garden in Bloom
It Starts with One Single Seed
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
Finishing
Matted
Unmatted
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
Style
No items found.
No items found.
No items found.
Also available as
art print.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.

What Comes in your box

What inspires the artist?

“The monster I address in my work is the human conceit that we as humans are more important individually and as a group, than the overall health of our planet… As with Victor and the Creature, every person contains both good and bad, it is up to us to rise above our egos and repair the damage we have done to our one and only planet.”
“My work addresses the history of race and privilege and examines how privilege transcends time, and how freedom is most often not achieved until after death. This monster is within each of us… If we refuse to center our existence around others, we can never grow enough empathy to engage proactively with the historical narratives that need to be told.”
“How do you know you can sing if you have never spoken? I believe that is where the chasm lies. In my work, the ‘monster’ is the plastics present in my home and studio. I use recipes from the Renaissance to create my art with the goal of eliminating microplastics, yet it is a constant jungle to navigate.”
“The Creature becomes a monster due to the neglect and often active sabotage of his creator… If we treat our creations like monsters, they become them. I applied this to our modern monster, the new and powerful technology of artificial intelligence (AI). We feed AI narratives of technology rising up against humans, and then are shocked when it inevitably steps into the very role we have built for it.”
“Reflecting on everything I have read and researched as part of this project, I have reached the conclusion that monsters are just reflections of the parts of ourselves we don’t want to acknowledge. Things like grief, regret, death, and fear become monstrous when we refuse to face them head on. Instead, we blame them on fate when in reality it is simply a reflection of the issues we have yet to correct in our own lives.”
“Scientists are on a constant quest for light and knowledge. However, when science and technology advance recklessly, without thought of the societal consequences, humanity can be led into darkness. My work addresses the monster of unrestrained science. There’s a fine line between achieving technological breakthroughs and playing god.”
“In the natural world, there is an innate cycle of rebirth and destruction, but when human aspirations force premature destruction on the earth, that cycle is disrupted. In this case, we forget we are a part of the earth and its destruction is also our own. In that way the real ‘monster’ is human hubris against nature.”
"It is up to individuals and society as a whole to establish ethical standards and guidelines for the creation and use of technology, art, and other forms of human expression."
“My work often depicts aerial imagery of Earth’s surface and the rapidly changing landscape along our sea and shoreline due to human impact. Having witnessed those changes, I believe that the destructive impact we have had on our planet is the sole responsibility of the human race.”
“In my work, the ‘monster’ is the ideology that humans are distinct from nature. I don’t think we are separate from our environments, if we remember that we can have a profound impact on our ability to achieve harmony both internally and externally, individually and environmentally.”
“Victor puts himself into his creation the same way an Artist puts themself into their work, but has delusional expectations and therefore shuns the Creature when it reflects aspects of himself he hates.”
“Both Victor and the Creature inhabit dual positions of predator and prey and victim and perpetrator… As a community we can’t turn a blind eye and shirk our responsibility to the less privileged, but often that’s what we do. We fear the monster in them, and they fear the monster in us.”

More Works by this Artist

No items found.

A World of its Own

Bond & Grace Art Novels are intentionally designed to provide an immersive reading experience, with innovative and visually stunning elements that enhance the unique atmosphere of the title novel. From Victor Frankenstein’s letters which appear on textured paper in handwritten font, to acid green spores that signal chaos and madness, this Art Novel serves as a portal into the awe-inspiring world of Frankenstein.

Meet The Scholars

Deepen your understanding of each classic novel with a new introduction, biographical essay, and annotated insights from our team of literary scholars

Dr. Alison Bedford
Lecturer, University of Southern Queensland
Prof. Sharon Ruston
Chair in Romanticism, Lancaster University
Prof. Fuson Wang
Associate Professor of English, University of California, Riverside
Ms. Caroline Gilpin
Journalist, Writer for the New York Times Learning Network

Meet the Artists

Immerse yourself in visual stories as told by our artists

Anne Corlett
Oil Paint
Kay Douglas
Interdisciplinary Portraits
Michelle Gagliano
Mixed Media and Abstract Oil
Sam Gulliver
Photographic Printmaker
Neka King
Graphic Illustration
Stavros Kotsakis
Light Art
Holly Lowen
Oil Paint and Pastel
Mekia Machine
Artist
Renée Phillips
Abstract Painter
Benedict Scheuer
Hand-Dyed Silk
Song Watkins Park
Mixed Media and Abstract Oil
Barbara Wildenboer
Hand-Cut Paper Sculpture

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Artwork: So Many Flowers
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